Mary Robinson and Her Many Masks Essay -- Poet Poem Actress Essays

Mary Robinson and Her Many MasksMary Robinsons public image as an actress and at times transgressive female are inseparable from her identity as an author and poet. Having begun her public life as an actress, Robinson remained keenly conscious of the power of audience. She intentionally re-scripted her get past, using her shameful fame to launch her successful writing career. Written at the end of her life, The follow Beach represents a culmination of efforts to make a serious jounce on the world of poetry. Among other daring moves, Robinsons poem effectively engages with a known poet, in its recognizable similarities to Coleridges Rime, and makes a social commentary on a murder she witnessed. The poems vaguely defined human relationship with audience mirrors Robinsons own multiplicity in voice. Just as The Haunted Beach is told by an unidentified observer, ultimately Robinsons own identity remains unknowable at best she is a coalescency of her many pseudonyms, stage characters , and ideas presented in her written works. Much has been written on Robinsons complicated relationship with the public, as well as her intrigue rapport with contemporary artists such as Coleridge and Wordsworth. In considering The Haunted Beach, cardinal of the last poems Robinson wrote before her death, one must pay with attention to her complex path to artist and public figure both the poems conception and its reception are affected by her public lineament and her artistic and social connections. Robinson crafted multiple identities as actress, author and poet, all of which duck soup into her constantly developing poetic project. Poetry became for Robinson not only a forum for earning income and salvaging her damaged reputation, but also a form of self-expre... ....clayfox.com/ashessparks/reports/miles.htmlFeldman, Paula R, Ed. British Women Poets of the Romantic Era An Anthology. Baltimore, MD The John Hopkins University hole, 1997.Griggs, Earl Leslie. Coleridge and Mrs. Mary Robinson. Modern wording Notes, 45 (1930) 90-95.Kramer, Lawrence. Gender and Sexuality in the Prelude The Question of disc Seven. ELH 54 (Autumn 1987) 619-637.Mellor, Anne K. Mary Robinson and the scripts of female sexuality. In Representations of the Self from the Renaissance to Romanticism. Ed. Coleman, Patrick et al. Cambridge University Press Cambridge, England, 2000.Ockerbloom, Mary Mark, Ed. A Celebration of Women Writers.Pascoe, Judith. Romantic Theatricality Gender, Poetry and Spectatorship. Ithaca, NY Cornell University Press, 1997.