Not so Good Earth Analysis

The Not So profound Earth For a while there we had 25-inch Chinese peasant families famishing in shelter on the 25-inch screen and even Uncle Billy whose eye muckles button dissipated by hunching up real close to the convex glass could vertical almost make them outthe riot scene in the corking city for example he saw that better than anything, using the agate line knob to bring them up darkall those screech faces and bodies going under the horses hooveshe did a terrific job on that bit, non so successful though on the quieter parts where theyre just starved a appearance igging for roots in the not-so-good earth cooking up a great deal of old clay and coming out with all those Confucian analects to e actuallybodys considerable satis particularion (if I remember rightly gran dies with naturally a suspenseful break in the action for a full symphony orchestra plug for Craven A neat as a whistle probably damn glad to be leave office of the full-length gang with their marvel ous patience. ) We never did find out how it spotless up Dad at this stage tripped over the main necessitate in the dark hauling the whole set d throw pick on its inscrutable face, iping out in a blue second and curlicue of smoke 600 million Chinese without a trace The denomination contains not-so-good describing the contents of the poem, which is a negative adjective compound. It is a parody of the confirm got The Good Earth by Pearl Buck, which is about the good times, value and Chinese proverbs. The phrase For a while there shows how Western ordination is indifferent towards the Chinese. 25-inch Chinese peasant families explains that the characters in the poem argon honoring a 25-inch screen television. famishing in comfort is a juxtaposition in line two, whose comfort?Certainly not the Chinese. In line quaternary convex glass re after-hourss to the television. Dashes - in the first nine lines represent changes in tone of language and persona of the narrator. He saw tha t better than anything-there is much concern for Uncle Billy being able to see whats adventure than what is actually happening. In line 11, the main character is bored by the part where theyre just starving away, this shows his lack of clemency for their situation. Confucian analects Chinese philosopher. Analects atomic number 18 proverbs and/or apparent wise sayings.In line 21 it represents the television. From line 21 onwards they face to be more worried about the television breaking than they do about the real life tragedy of the expirations of so many Chinese peasant families. Line 25 (the last line) concludes with the phrase 600 million Chinese without a trace this portrays the complacency of western party in the way that they bustt realize there is life beyond their own lives, they are so immersed in themselves, that they think that this reportage is only for pleasure and once the television brakes the scene just goes off air.They befoolt realize that this is sti ll happening after the Television breaks, they dont feel touched or even realize that this is a real life thing not just some program. primarily Consider the general attitude very complacent and detached. The characters are unintellectual and apathetic towards the Chinese in the documentary. Revealing the imperfection of western society being too self-absorbed, and preying on their lack of consideration and respect for separates. The poem constantly drifts between fact and fiction.Floating in the midst of realism displayed on the television, and the artificial world which our mind reachs to block out the poverty and misfortunate that we are not directly involved with. Throughout the poem the media promotes death scenes and action, while blunting the emotional impact of reality. Dawe gives many colloquialisms to be quit of the whole gang this express the general laid back style of the poem. smack Dawe maintains the tension between humor and seriousness.The Not-so-good Earth ( 1966) Like Televistas this poem is centred on the common place activity of watching television. It is a concept whole within the audiences experience. Television in our consumer society is our prime writer of nurture and entertainment. Often the two become confused lives and human tragedy are considered a product, something that will engender interest and thereby generate revenue. The great the suffering, the more successful the program and the greater market share.Dawe is bear on that we have become desensitised to human suffering because it is presented to us as entertainment a product rather than an issue. The irony is that we have become emotionally distanced from reality even though the world enters our homes via television. The title and the film description are references to The Good Earth based on a novel by Pearl Buck. Set during the Japanese advance on China during the late 1930s, it contains ideas that the land sustains life and that suffering is rewarded.This poem d escribes a family viewing the film, neck with the advertisements, and their reaction (or rather, lack of) to it. They never actually see the end as the father trips over the cord in the darkened room. It is a very satirical poem that creates black card. Through the characters complete insensitivity and absence of either empathy or sympathy, Dawe expresses amazement at the complacency of people in our society. There is continual tension between the humour and the seriousness of what is set forth.For instance, Uncle Billys sight problems are comical but Dawes biting satire is evident by its juxtaposition to the riot scenes seriousness he is straining to see. The uncles triviality is as obvious as the insensitivity of the watchers. Modern man is more concerned with superficial appearances, using the discriminate knob to bring them up dark, the mess of old clay that is dinner, than in meanings attached to them. There seems an softness to comprehend the events as having happened to real people.The narrator is used to suggest unexampled man is apathetic and completely self absorbed. He is revealed as such by his inability to comprehend the implication of his comments. He speaks about the Chinese famishing in comfort on the 25-inch screen. The paradox is clear to the audience. The reference to the terrific job on the screaming faces and bodies going under the horses hooves reveals a similar insensitivity. The lack of punctuation helps create the idea that society does not pause to consider the reality of other peoples suffering.Instead, akin the narrator, we just move quickly onto the next item of information. here(predicate) Dawe mocks the movies idea that suffering reaps reward how can it if nobody even notices? The fact the narrator does not seem at all concerned about what happened in the unseen ending further demonstrates his lack of engagement. The blue flash eliminating the figure represents how quickly the situation has been forgotten. The blank scre en and the dead set may symbolize modern peoples inability to empathise with others. Our concerns are trite and centred on ourselves.Were indifferent to the suffering of others and view it only as a source of entertainment. Dawe also suggests that the media nurtures this insensitivity. It is ironic that in an age (thanks to the media)where people know uttermost more about what happens all over the world that people seem to care little beyond their own insular world. There is a sense of confusion between reality and fiction. It is ironic that advertisements for luxury indulgences like Craven A cigarettes have been interjected into what should be deeply moving moments of the film.The advertisement is described as having a full symphony orchestra which is a farcical contrast to the grandmothers death. The media does not treat tragedy as real and this blunts societys reactions and emotional involvement. cerebrate to both these ideas is the way people distance themselves from unpleasan tness and shirk responsibility. Dawes use of the aside( if I remember rightly.. ) implies that the narrator deliberately avoids discussion of the seriousness of the movies events. Not-so-good-Earth is a cagey poem that maintains the audiences interest. It is colloquial, using everyday expressions like For a while there, a terrific job and probably damn glad. This makes it very accessible. It is also personal with the use of the first person. It is, at least at first glance, humorous, but the humour darkens as the poem progresses. The title is a pun, referring both to the movie and our modern society. Overall, whilst the events are clearly exaggerated, they stimulate the audience to evaluate their own attitudes.